Animal Stars of the Circus

Since the rebirth of the circus in Great Britain was begun as an equestrian show, it is no surprise than many animal species have long been the stars of the animal world. At first, the horse was supreme. Horse acts continued right through to the modern age.

But, along with clowns and acrobats, animals acts were added to entertain the audience between equestrian feats. And, before the exotic animals became a feature of the circus (the elephant was first brought to the United States in 1794), dogs, pigs and bears were pressed into service as acts. Again, similar to the horse, these animals have continued to mainstays of the circus.

Almost from the first, less common animals were featured. In 1779, Philip Astley (a Serjeant-Major who set up the first circus in Great Britain after a century), put a zebra on display. Other exotics, elephants, camels, monkeys, and eventually the big cats were added to the exhibitions.

With the expansion of the European powers into Africa, the types of animals employed expanded. Wild animals, especially the big cats, became a profitable business. It was not a big jump from exhibiting the animals to including them to performances. To the acrobats, jugglers and ropedancers was now added a menagerie of animals, many of them dangerous. Of course, with the animals, came animal trainers.

Some of these animal performers became big stars. In the 1940’s Jumbo, the elephant became so popular that jumbo, meaning colossal, became part of the language.

Clowns

The circus comes to town in Circle of Dead Girls.

Although there was no canvas tent (not invented for another twenty+ years), no exotic animals (the first circuses used pigs, horses and dogs) or trapeze artists, there were clowns.

The ancient Greeks used figures of fun, which were rustic fools. The English word for clown also meant rustic fool originally. These characters are plentiful in Shakespeare’s plays.

At the same time, the Italian Commedia del’arte used a number of stock characters that includes clown-like figures: Pierot and Harlequin.

Clowns have certain evolved since then.

The clown in the American circus is a direct outgrowth of Philip Astley, who restarted the circus in England in 1768. His circus was originally an equestrian show and clowns were used as the breaks between the trick riding.

A Circle of Dead Girls – Goodreads Giveaway

Although I planned to schedule the giveaway to hit just before the release date – March 3 – the book is available now!

So sign up for you copy on Goodreads.

The circus has come to town. Rees drives in to see a performance but sees his old nemesis, Magistrate Hanson, instead. Returning home, Rees meets up with a group of Shakers who are searching for a missing girl. Rees agrees to help search – and they find the girl’s murdered body in a field.

Pub Day for A Circle of Dead Girls

But the publication day last Friday was in Great Britain. Publication of the new Will Rees in the United States does not occur until the beginning of March.

The circus is coming to town. Although primitive by our standards – the circus would not even have had a canvas big top – in 1800 where entertainment options were few, the circus would have been huge. No trapeze artists, but there would be a high wire act, a clown, maybe a magician and also animal acts. Not lions or even elephants, but the more common animals such as horses, dogs, and pigs.

Who could blame the children from being excited – even the children living with the Shakers. Sadly, only the boys would be allowed inside, and the men, as women were not permitted to view such frivolity.

Circuses also provided a haven for refugees. This was only 7 years after the French Revolution and Napoleon was marching across Europe with his armies.

Clowns

When Philip Astley set up his equestrian show in England, he hired clowns to amuse the audiences between equestrian acts. Although those clown owed their history to Italy’s Commedia del’ Arte from the 16th century, with a little bit of court jester thrown in, the trickster character has a long long history. Folktales from around the world showcase the tricksters, sometimes amusingly and sometimes scarily.

Although the more modern clowns are figures of fun, they did not start that way. (I think Stephen King really put his finger on an atavistic fear of clowns in IT. I wonder if it is part of the same psychology that makes zombies and vampires scary; something that is looks human, or once was human, but isn’t.) Even some of the characters who were supposed to be funny were also monsters. Think of Punch (from Punch and Judy) who beat his wife and murdered his children. I remember visiting the Taos reservation during a celebration. The clowns were punishers, running through the crowd and throwing people who had disobeyed customs or cultural norms into a pond of water. I was merely an onlooker and I was terrified.

Clown from the Commedia was a buffoon, a foil to the sly Harlequin, but the two characters have been rolled together. According to Wikipedia, the word clown was first recorded in 1560 meaning boor, peasant. It took on the meaning of fool. Clowns have evolved from the fool to other characters. Think Emmett Kelly’s weary Willie, Charlie Chaplin’s tramp. Funny and Sad both.

In any event, when Astley set up his circus, the first modern clown, Joseph Grimaldi, was so popular he became a star in his own right.